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preferred except Isn’t it just as likely that Salinger went into the war a rigid, unforgiving man, and that the war broke him in the way it broke many others, but all the more so because he lacked the flexibility to absorb its terrible truths? “Salinger” (book and film) amply documents the author’s youthful arrogance and selfishness, his infatuation with his own cleverness and his inability to see the world from the perspective of anyone who wasn’t a lot like himself — or whom he could imagine to be a lot like himself, as he did at the beginnings of his many short-lived romances. These traits preexisted the war and Oona’s “betrayal,” and this, combined with his immense, innate talent, may have given his fiction the concentration and the vividness that make his depictions of young people so persuasive. Besides, Salinger famously carried six chapters of “The Catcher in the Rye” with him on D-Day, the first action he saw. That novel, too, at least partially preexisted the war.
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